Paul McCartney at The Superbowl
by Peter Cross
Paul's show at the Superbowl was an historic event for a number
of reasons. We were all watching a living legend in action, a
star from the 1960's up there on stage acting like a teenager
entertaining teenagers in 2005, and the audience reacted on the
most fundamental level. Now I've seen a lot of shows by many
rock legends, including Jimi Hendrix, Led Zeppelin, The Who, The
Grateful Dead, and many others, and I have to say that Paul's
Superbowl show was the best short rock and roll show in history.
To begin with, I did not fail to notice his choice of songs. He
began his show with "Baby You Can Drive My Car", a driving piece
of simple rock and roll, and then followed up with two more
simple Beatles songs. Of course, Paul can afford the best
musicians to back him up, and I also did not fail to notice that
these expert players stayed true to The Beatles tracks and
played them note for note like the records. Each song was one
that Paul wrote, and they were all straight ahead, simple rock
and roll. I also thought it was significant that he chose "Get
Back", and that at the end of the song he asked the audience,
"Do you want to Get Back?" The audience roared their approval.
Now what do you think they all want to get back to?
The significance of what he did proves a concept that's occurred
to me recently. I believe that the cycle of creativity in music
is just about over. If you examine human history, creative
bursts never remain in any one genre indefinitely. Ever since
the early 1990's when Van Halen, Alanis Morrisette and Jewel hit
the charts big time, there haven't been any more rock acts that
are capable of sustaining their success in the recording studio.
On account of this and the phenomenon of free MP3 downloading,
most record companies are losing money. The old formula of
having the record company put up well in excess of $150,000 to
promote a new act simply doesn't work any more. In order for a
record company to recoup their initial investment in recording
time and promotion, it's absolutely necessary to have an act
that can write and record more than one hit record, and that's
the missing key. There are no more acts who can do that, and the
record companies are painfully aware of this.
After Paul finished his three Beatles songs, he performed one
Wings song - Live and Let Die. I think he chose that one because
it has great dynamics which lent itself naturally to the
impressive light show that accompanied the song. But then Paul
chose to end his show with "Hey Jude", which is certainly one of
the definitive Beatles songs. In terms of the dynamics of his
entire show, it was a natural choice for an ending.
I also could not fail to miss that whenever the camera panned
out over the audience, all I could see were young people in the
teenager to early 20's age group. I would have expected to see
old hippies from Paul's generation, but there were none that I
could see. Of course, the audience adored Paul and did the usual
arm waving thing and massive lighter thing in the dark, and that
means nothing because audiences do the exact same thing for
famous acts with no talent. But the point I'm making here is
that the young people are definitely turning back to real rock
and roll, Paul is one of the originals, and the audience was
fully aware and appreciative. There are at least three reasons
why young people are turning back to rock and roll:
1. Forgive me for saying this, but Hip Hop and House "music" is
beginning to bore them. There simply isn't enough variety in the
genre, and everything the artists have to say lyrically has been
said, said, and said again. 2. The body of rock and roll music
that was created between the 1950's and 1990's is staggering in
its size and variety. It dwarfs all other genres except for
classical music, and because of it's depth, it's not boring. 3.
Rock and roll music can be defined as sexual energy expressed in
sound. I don't think the young people are aware of what is
happening, but they are "coming of age", and what that means is
they are experiencing their own powerful sexual energy for the
first time in their lives. Simply put, they are connecting
sublimally with the very music which embodies that energy. No
other form of music has ever done that so well, and that's why
so many adults and religious fanatics have called it "The
Devil's music." I couldn't disagree with those misguided people
more. I won't argue about it. All I will say on that subject is
that ALL creativity comes directly from God, who is the creative
force itself.
So in conclusion, Paul's performance at the Superbowl represents
the sports world's biggest show honoring one of the greatest and
most talented rock stars ever. As an historic event, it signals
the beginning of a massive return to what was the most creative
time in musical history, including the classical Bach, Mozart
and Beethoven era because although the music was very complex,
it just doesn't have the breadth of style that rock and roll
has. I'm talking about doo wop music, country rock, rhythm and
blues, soul music, top 40 rock, the British invasion, reggae
rock, balads, political songs, sex songs, love songs, comedy
rock, and the list goes on. Jazz is certainly high on the list
of creative musical forms, but again, it just hasn't got the
breadth and depth. The Recording Industry Association of
America, who has the correct statistics, lists The Beatles as
the best selling artists of all time with 166.5 million albums
sold in the USA alone, Elvis is second with 117.5 million, and
Led Zep is third with 106 million. I think it's very significant
that those statistics are becoming geometrically times greater
than the number of albums that they sold during their
performance lifetimes. What has happened and is happening is
that the young people of today are discovering them in droves
because they are coming of age sexually and they recognize and
connect with the most powerful musical example of that sexual
power.
Considering that Paul is known as being the most popular
songwriter in history, Paul was typically humble too. After he
finished playing, he shouted to the audience, "You were great !
Thank you Superbowl". Now THAT is a true rock star in action.
About the author:
Peter Cross is a singer/songwriter/producer who was among the
first to put music on the internet in downloadable format in
1996. To this day, he is one of the only musicians who has
created and designed his own music web site in html, and at 104
pages filled with entertaining content, it's one of the largest.
Check it out at:
http://www.starcrost.com